Дипломная работа: Romeo and Juliet - immortal tragedy of W.S.

Benvolio: Blind is his love,

and best befits the dark"

(2.1.32)

And when Romeo finally sees Juliet again, he wonders,

Benvolio: But soft, what light through yonder window breaks?

It is the east, and Juliet is the sun.

Arise, fair sun, and kill the envious moon"

(2.1.44-46).

Romeo then invokes the darkness as a form of protection from harm,

Romeo: I have night's cloak to hide me from their eyes" (2.1.117).

This conflict will not end until the disorder of the day eventually overcomes the passionate nights and destroys the lives of both lovers. It is worthwhile to note the difference between Juliet and Rosaline. Juliet is compared to the sun, and is one of the most giving characters in the play.

Juliet: My bounty is as boundless as the sea,

My love as deep. The more I give thee

The more I have, for both are infinite"

(2.1.175-177).

Rosaline, by contrast, is said to be keeping all her beauty to herself, to die with her. This comparison is made even more evident when Romeo describes Rosaline as a Diana (the goddess of the moon) and says to Juliet,

Romeo: Arise, fair sun, and kill the envious moon" (2.1.46).

The balcony scene is more than a great lovers' meeting place. It is in fact the same as if Romeo had entered into a private Eden. He has climbed over a large wall to enter the garden, which can be viewed as a sanctuary of virginity. Thus he has invaded the only place which Juliet deems private, seeing as her room is constantly watched by the Nurse or her mother. One of the interesting things which Shakespeare frequently has his characters do is swear to themselves. For instance, when Romeo tries to swear by the moon, Juliet remarks that the moon waxes and wanes, and is too variable. Instead, she says,

Juliet:Or if thou wilt, swear by thy gracious self (2.1.155).

Shakespeare often has characters encouraged to be true to themselves first, as a sign that only then can they be true to others..

Again, note the change in Juliet's behavior. Whereas she used to obey the authority of her nurse, she now disappears twice, and twice defies authority and reappears. This is a sure sign of her emerging independence, and is a crucial factor in understanding her decision to marry Romeo and defy her parents.

There is a strong conflict between the uses of silver and gold throughout the action.

Juliet: How silver-sweet sound lovers' tongues by night" (2.1.210)

…"Lady, by yonder blessed moon I vow,

That tips with silver all these fruit-tree tops"

(2.1.149-50).

Silver is often invoked as a symbol of love and beauty. Gold, on the other hand, is often used ironically and as a sign of greed or desire. Rosaline is thus described as being immune to showers of gold, which almost seem to be a bribe. When Romeo is banished, he comments that banishment is a "golden axe," meaning that death would have been better and that banishment is merely a euphemism for the same thing. And finally, the erection of the statues of gold at the end is even more a sign of the fact that neither Capulet nor Montegue has really learned anything from the loss of their children. One of the central issues is the difference between youth and old age. Friar Laurence acts as Romeo's confidant, and the Nurse advises for Juliet. However, both have advice that seems strangely out of place given the circumstances of the play. For instance, Friar Laurence says to Romeo, "Wisely and slow. They stumble that run fast" (2.2.94). He also advises Romeo to "Therefore love moderately" (2.5.9). The insanity of this plea to love "moderately" is made (5.1.6). The use of dreams is meant to foreshadow, but also heightens the dramatic elements of the tragedy by irrevocably sealing the character's fate.

When Romeo goes to the Apothecary to buy his poison, it is as if he were buying the poison from Death himself. Note the description of the Apothecary,

Romeo: Meagre were his looks.