Contents

Prehistory_____________________________________________________ 2

London is the largest city in Europe_________________________________ 3

Cultural life of London___________________________________________ 5

The characteristics of British arts and letters__________________________ 5

Theatre and cinema______________________________________________ 7

Music________________________________________________________ 8

Literature_____________________________________________________ 9

The fine arts__________________________________________________ 11

Museums of London____________________________________________ 12

Parks of London_______________________________________________ 13

Housing_____________________________________________________ 14

Traffic_______________________________________________________ 16

Bibliography__________________________________________________ 18

Prehistory

Two thousand years ago there was an Iron Age Celtic culture throughout the British Isles. It seems that the Celts, who had been arriving from Europe from the eighth century BC onwards, intermingled with the peoples who were already there. We know that religious sites that had been built long before the arrival of the Celts continued to be used in the Celtic period.

For people in Britain today, the chief significance of the prehistoric period is its sense of mystery. This sense finds its focus most easily in the astonishing monumental – architecture of this period, the remains of which exist throughout the country. Wiltshire, in south-western England, has two spectacular examples: Silbury Hill, the largest burial mound in Europe, and Stonehenge. Such places have a special importance for anyone interested in the cultural and religious practices of prehistoric Britain. We know very little about these practices, but there are some organizations today who base their beliefs on them.

London is the largest city in Europe

London dominates Britain. It is home for the headquarters of all government departments. Parliament, the major legal institutions and the monarch. It is the country's business and banking centre and the centre of its transport network. It contains the headquarters of the national television networks and of all the national newspapers. It is about seven times larger than any other city in the country. About a fifth of the total population of the UK lives in the Greater London area.

The original walled city of London was quite small. It did not contain Parliament or the royal court, since this would have interfered with the autonomy of the merchants and traders who lived and worked there. It was in Westminster, another 'city' outside London's walls, that these national institutions met. Today, both 'cities' are just two areas of central London. The square mile is home to the country's main financial organizations, the territory of the stereotypical English 'city gent'. During the daytime, nearly a million people work there, but less than 8000 people actually live there.

Two other well-known areas of London are the West End and the East End. The former is known for its many theatres, cinemas and expensive shops. The latter is known as the poorer residential area of central London. It is the home of the Cockney and in this century large numbers of immigrants have settled there.

There are many other parts of central London which have their own distinctive characters, and central London itself makes up only a very small part of Greater London. In common with many other European cities, the population in the central area has decreased in the second half of the twentieth century. The majority of Londoners' live in its suburbs, millions of them travelling into the centre each day to work. These suburbs cover a vast area of land.

Like many large cities, London is in some ways untypical of the rest of the country in that it is so cosmopolitan. Although all of Britain's cities have some degree of cultural and racial variety, the variety is by far the greatest in London. A survey carried out in the 1980's found that 37 different languages were spoken in the homes of just one district.

In recent years it has been claimed that London is in decline. It is losing its place as one of the world s biggest financial centres and, in comparison with many other western European cities, it looks rather dirty and neglected. Nevertheless, its popularity as a tourist destination is still growing. And it is not only tourists who like visiting London – the readers of Business Traveller magazine often vote it their favourite city in the world in which to do business. This popularity is probably the result of its combination of apparently infinite cultural variety and a long history which has left many visible signs of its richness and drama.

Cultural life of London

One cannot learn or teach a language well without coming into contact with the cultural content. It is common knowledge that every country has its own national culture and heritage. So has Great Britain. This English speaking country is famous for great painters and artists, architects and composers, brilliant playwrights and poets, actors and writers. Such names as Christopher Wren, William Shakespeare, Bernard Shaw, Benjamin Britten, Turner and Gainsborough are well known all over world.

The centre of cultural life in Britain is London, of course. If you stay in London for a few days, you will have no difficulty to find where to spend an evening. You will find opera, comedy, drama, variety to your taste. Some of the best known theatres in England are: the Royal Opera House, Royal Shakespeare theatre, Old Vic and others.

The characteristics of British arts and letters

If there is one characteristic of British work in the arts that seems to stand out, it is its lack of identification with wider intellectual trends. It is not usually ideologically committed, nor associated with particular political movements. Playwrights and directors, for instance, can be left-wing in their political outlook, but the plays which they produce rarely convey a straightforward political message. The same is largely true of British novelists and poets. Their writing is typically naturalistic and is not connected with particular intellectual movements. They tend to be individualistic, exploring emotions rather than ideas, the personal rather than the political. Whatever the critics say, it is quite common for British playwrights and novelists to claim that they just record 'what they see' and that they do not consciously intend any social or symbolic message. Similarly, British work in the arts also tends to be individualistic within its own field. That is, artists do not usually consider themselves to belong to this or that' movement'. In any field of the arts, even those in which British artists have strong international reputations, it is difficult to identify a 'British school'.

The style of the arts also tends to be conventional. The avant-garde exists, of course, but, with the possible exception of painting and sculpture, it is not through such work that British artists become famous. In the 1980's, Peter Brook was a highly successful theatre director. But when he occasionally directed avant-garde productions, he staged them in Paris!

In these features of the work of British artists, it is perhaps possible to find an explanation for the apparent contradiction between, on the one hand, the low level of public support for the arts and, on the other hand, the high level of enthusiasm on the part of individuals. There appears to be a general assumption in Britain that artistic creation is a personal affair, not a social one, and that therefore the flowering of artistic talent cannot be engineered. Either it happens, or it doesn't. It is not something for which society should feel responsible.

Theatre and cinema

The theatre has always been very strong in Britain. Its centre is, of course, London, where successful plays can sometimes run without a break for many years. But every large town in the country has its theatres. Even small towns often have 'repertory' theatres, where different plays are performed for short periods by the same group of professional actors.

It seems that the conventional format of the theatrical play gives the undemonstrative British people a safe opportunity to look behind the mask of accepted social behaviour. The country's most successful and respected playwrights are usually those who explore the darker side of the personality and of personal relationships.

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