Реферат: The Metamorphosis Essay Research Paper The MetamorphosisKafka

Here Grete’s betrayal of her brother is final and absolute. Grete, in

this scene, reaches the plateau of her metamorphosis into an enemy of Gregor,

and is left only to change physically and advance in her womanhood. While she

tries to salvage the situation by hastily making the boarders’ beds, the violin

clangs to the floor, symbolizing her rejection of Gregor and her rapport with

him (Lawson 33). At this point she dissociates the name of her brother from the

insect when addressing her parents: “We must try to get rid of it. It will be

the death of both of you, I can see that coming” (p. 51). And later, “It has to

go” (p. 52). Gregor is no longer “he,” but “it.” She sees the complete

disappearance of Gregor the human and the complete rise of the beetle. “How

can this be Gregor? If this were Gregor, he would have realized long ago that

human beings can’t live with such a creature, and he’d have gone away on his own

accord” (p. 52). Grete condemns Gregor to death when she urgently locks him

into his own room, crying “At last” (p. 53) to her parents as she turns the key

in the lock. Even in death, Gregor retains tender feelings for his family: “He

thought of his family with tenderness and love. The decision that he must

disappear was one that he held to even more strongly than his sister” (p. 55).

Grete’s betrayal was just one more emotional trauma Gregor had to face.

Gregor’s death stands in contrast to the final image of “The

Metamorphosis”. Grete has now undergone her transformation into womanhood. She

wakes up to find her body has bloomed in the wake of Gregor’s disappearance

(Thiher 44). Kafka’s endings begs no questions: “It struck both Mr. and Mrs.

Samsa, almost at the same moment, as they became aware of their daughters

increasing vivacity, that in spite of all the sorrow of recent times, which had

made her cheeks pale, she had bloomed into a pretty girl with a good figure” (p.

58). Grete has emerged from her adolescence into her young adult role in the

real world (Lawson 34). Thus, her parents tacitly agree that “it would soon be

time to find a good husband for her” (p. 58).

Grete’s metamorphosis into womanhood can be contrasted with the mother’s

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