Реферат: Yellow Wall Paper And Women Role Essay
and relatives that there is really nothing the matter with one but temporary
nervous depression ? a slight hysterical tendency ? what is one to do?"
Her husband is not the only male figure who dominates and oppresses her. Her
brother, also a doctor, "says the same thing" (Gilman 640-641).
Because the story is written in diary format, we feel especially close to this
woman. We are in touch with her innermost thoughts. The dominance of her
husband, and her reaction to it, is reflected throughout the story. The narrator
is continually submissive, bowing to her husband’s wishes, even though she is
unhappy and depressed. Her husband has adopted the idea that she must have
complete rest if she is to recover. This is a direct parallel to Gilman’s life,
wherein during her illness she was treated by a doctor who introduced her to the
"rest cure." She was instructed to live a domestic life, only engage
in intellectual activities two hours a day, and "never to touch pen, brush,
or pencil again" as long as she lived (Gilman 640). In this story, the
narrator’s husband, John, does not want her to work. "So I . . . am
absolutely forbidden to ?work’ until I am well again"(Gilman 641). John
does not even want her to write. "There comes John, and I must put this
away ? he hates to have me write a word"(Gilman 642). It is also a direct
allusion to Gilman’s personal experience that the narrator is experiencing
severe postpartum depression. Gilman suffered from the same malady after the
birth of her own daughter (Gilman 639). It is interesting that the room her
husband chooses for them, the room the narrator hates, is the nursery. The
narrator describes the nursery as having barred windows and being
"atrocious" (Gilman 641-642). The narrator’s response to the room is a
further example of her submissive behavior. "I don’t like our room a bit. I
wanted one downstairs that opened onto the piazza and had roses all over the
window, and such pretty old fashioned chintz hangings! But John would not hear
of it" (Gilman 641). Although she is practically a prisoner in the room,
she is given no voice in choosing or decorating it. She attempts to justify