Топик: English Literature
In 1929 “The Death of a Hero” was published. The novel was started after the war but had not been completed until 15 years later. It’s a social novel disclosing tragic consequence & reasons of war. He made readers see that the war was inevitable. But the protagonist tries to find the answer for the question – who is responsible for that? Everybody was! Everybody is guilty for the rivers of spilt human blood. This book is a cry for redemption for the writer.
It is a novel of big generalization. There are many autobiographical touches in the book. He starts farther in the war to unmask the hypocrisy of the English society, respected English families. Aldington wants to show that this is a pack of lies that the war is a noble deed, a salvation. He tries to show that lies started much earlier. His ideals are truth & beauty. Aldington says that this generation was lost before the war started. War was not the source of the tragedy but rather result of it.
The life story of George Winterborne is given in a reverse order. We see Winterborne family in which all relations are based on deceit & lies. Later we see George at school where he is supposed to develop into a strong & aggressive individual, the defender of imperialism. He tries to escape from the influence of society & turns to art in search of his place under the sun. He moves to London but among “intellectual” people he found only hypocrisy. He is inherently lonely, his ideas of truth & beauty are frustrated by snobs, who pretended to be leaders of artistic movement. He sees all their cynicism. In that period of his London life he still shows his early tendency to resist to circumstances. He expresses his disillusionment in angry talks but he cannot achieve peace. He remains passive.
Much is said about his love because love was the only harbour for other “lost generation” heroes. It is not so for G.Winterborne. These relations are coloured with cynicism (realization of Freud’s ideas of free love between George’s wife & her lover). When he tried to put these ideas into practice, he faced with constant quarrels & was eventually turned down by both his women. Then the war starts. He volunteers to the front. War becomes a period of his maturity. He finds himself side by side with common soldiers & this confrontation with simple people makes him aware of real human values – those of courage, friendship, support. Nothing can be more precious than pure trust in man. Life in the trenches makes him think about life in general & he started to ask questions. How does it happen that government finds huge amount of money to kill Germans in the war but cannot find it to fight poverty in London. He becomes aware of social contradiction & antagonism. He thought that social hostility broke through in the outburst of hatred. He still feels very much lonely & isolated. He feels that he differs from others, he is very much of an individual soul. He doesn’t belong to the soldiers, their roughness makes him feel very uncomfortable. He is completely lost. With all these problems he doesn’t see any way out but to terminate his life by his own free will (he commits a suicide). By all the narration Aldington makes us see that this way is the logical ending for the person who was lost before the war started.
It is a sarcastic book. Aldington was eager to tell the truth about the society openly. But it was impossible to overcome individualism, the author is not objective, he shows the whole range of feelings. That’s why the end of the book is so bitter & hopeless. The title itself is very sarcastic. His death is also a symbol how senseless the war is, it’s just a torture. His satire has many shades, but also a definite target & purpose. Sometimes it reminds Swift’s “Gulliver’s Travels” because of the social character of satire. “Death of a Hero” is an absolutely disillusioned novel. Aldington called this book “a jazz novel”. This jazz effect is achieved by kaleidoscopic change of contrasted images. The novel is characterized by multitude of emotional states. The style is rather nervous. He is easily overcome by despair & negation, carried to the very extreme. These feelings are the features of the lost generation people. “The Death of a Hero” is the first big & most successful of all his works. His other novels are:
“Colonel’s Daughter”
“All Men Are Enemies”
“Very Heaven”
All are about those people who came back from the war alive but still couldn’t find their place in life. The main characters are akin to George Winterborne. The critics say that Aldington predominantly is the writer of one theme & one hero, & that he just treats this topic in different aspects.
He also wrote some critical works on D. H. Lawrence, & other writings.
He died in 1962.
Modernism.
The word “modern” means “up-to-date”. Critics & historians used it to denote roughly the first half of the XX century. The representatives of this movement were anxious to set themselves apart from the previous generations. They totally rejected their predecessors. The term was suggested by the authors themselves. The difference between past & present tradition is qualitative. Modernist writers clearly defined the borderline between Victorian age & modernism: in 1910 – the death of king Edward & the first post-impressionist exhibition in London (Virginia Woolf), in 1915 – the first year of World War I (D. H. Lawrence). They had a deep conviction that modern experience is a unique one. They tried to point the change in modernism. This change was – massive disillusionment, destruction of faith in a number of basic social & moral principles, which laid the foundation of Western civilization. This change was to some degree intellectual as the result of late XIX theories & discoveries.
Karl Marx “Das Kapital”. He shaped the imperialistic ideology, he showed it was not the pattern of progress. He believed that the world would not be dominated by enlightened bourgeoisie. The struggle is inevitable.
Charles Darwin “On Origin of Species”(1859) & “The Descent of Man”(1871). A human being was placed in the animal world. The forces that determine human behaviour are not of intellect & reason but is determined by the need of physical survival.
James Frazer’s “The Golden Bough”(1890-1915) showed similarities between primitive & civilized cultures. The primitive tribes appeared to be not so savage as they seemed to be. They were just like the civilized ones.
Nietzsche’s “Birth of Tragedy”. In this book he exposes dark sides of human psyche, glorified the belief in ancient heroic philosophers.
Max Planck’s “Quantum Theory of Atomic & Subatomic Particles”. This model of discreet beats of energy behaving in apparently unpredictable ways seize the imagination of people so much that they extrapolated it beyond the limits of physics. They believed that human behaviour was also chaotic, disorderly & unpredictable.
Freud’s “Interpretation of Dream”. This work created a new model of human personality itself as a complex, multilayed & governed by irrational & unconscious survival of fantasies.
These theories were in fact not very new they were known in the XIX but in XIX they never destroyed the general principles & ideas.
Modern writers after the WWI found themselves in so-called “empty world”. Their world was deprived of its stability. Nothing can be taken for granted. They didn’t believe that life they were living. Being disillusioned & contemplating the society & cosmos most of them looked within themselves for the principles of order. They turned to eternal things. For that matter we see modern literature being pre-occupied with its own self, process of perception, nature of consciousness. In its extreme subjectivity modern literature went parallelly with other modern arts (e.g. painting).
The main feature – subjectivity & self-interest. Modernist aesthetics was formed under the influence of French symbolist poets :
Charles Baudleъr
Arthur Rimbaut
Paul Verlaine
Stephan Mallarmй
Their aim was to capture the most perishable of personal experience in open-ended & essentially private symbols, to express the inexpressible, to express the slightest movements of the soul, or at least evoke it subtly if not express, create the atmosphere of the soul. The symbolist concentration upon single moments of individual perception. Life in their reproduction was reduced to small fragments of experience. This fragmentation influenced not only composition of the work but also the character. The character was disassembled in fragmentary pieces & these pieces of human character were not held together by any theory of human type, like a collagй, juxtaposition – all transitions are removed. You just put the fragments together. The widely used technique “stream of consciousness” takes the form from a fluid associations, often illogical moment to moment sequence of ideas, feelings & impressions of a single mind. Traditional literary forms & genres merged & overlapped. The introduction of poetry into prose became possible, imagery characteristic of poetry – into prosaic text. The forms of the past were also employed but to produce the satirical effect.
An equally important principle – “the stream of unconsciousness” – the use of irrational logic of dreams & fantasies, denies ordinary logic (“exhausted rationality”). They employed the shadowy structure of dream. The idea “time & space” didn’t exist & the imagination was only slightly grounded in reality but generally it created new patterns by combining previous experiences, etc.
The authors employed myth very much as a kind of collective dream. Modernist’s myth was stripped of its religious & magical associations. Joyce’s “Ulysses” is based on the ground of Homer’s ”Odyssey”. Eliot said: “In using the myth, in manipulating the contentious parallel between contemporaniety & antiquity Mr. Joyce is pursuing the method which others must persue after him. It is simply a way of controlling, of ordering, of giving a shape & significance to an immense panorama of futility & anarchy which is contemporary history”. Myth is the way of organizing history. The writers’ quest for order lead to their preoccupation with the artist himself & with the artistic process. The imaginary character stood for the author himself: