Реферат: Online Interviews With Robert Pinsky Essay Research

did you use?

Robert Pinsky: My main

text was the Singleton en face in the Bollingen edition, with Singleton’s

wonderful notes. And I had much recourse to other translations (Sinclair, Musa,

Mandelbaum, Binyon, Longfellow) as trots and consultants.

J.M. Spalding: When you

sit down to write, what kind of setting do you have? Are there any objects that you keep

around you?

Robert Pinsky: I don’t

care about all that.

J.M. Spalding: Who is the

biggest critic of your writing?

Robert Pinsky: I am.

Friends like Frank Bidart and Louise Gluck help, as does my wife and many other friends,

but the main and most fearsome and important critic is the author.

J.M. Spalding: If you

were stuck on a desert island and could only have three books and three music recordings,

which would they be?

Robert Pinsky: Ulysses,

Paradise Lost, The Complete Works of Ben Jonson.

Toscanini, Parker, and Ellington boxed sets.

J.M. Spalding: If you

were stuck on a desert island with Rod McKuen, what would you do?

Robert Pinsky: I’d ask

him to tell me his candid, unexpurgated memoirs of people like Auden, Cary Grant, Charles

Laughton. I imagine that the gossip would be spectacularly entertaining.

J.M. Spalding: What is

the current status of poetry in America today?

Robert Pinsky: